Semitone Calculator: Convert Notes & Intervals Instantly

🎵 Semitone Calculator

Calculate semitones between notes, frequency shifts, pitch intervals & cents deviation

Quick Presets
🎼 Note Input
✨ Calculation Results
📊 Interval Reference Chart
0
Unison
1
Minor 2nd
2
Major 2nd
3
Minor 3rd
4
Major 3rd
5
Perfect 4th
6
Tritone
7
Perfect 5th
8
Minor 6th
9
Major 6th
10
Minor 7th
11
Major 7th
12
Octave
24
2 Octaves
36
3 Octaves
100¢
Per Semitone
🎜 Note Frequency Table (A4 = 440 Hz)
Note Octave 3 Octave 4 Octave 5 MIDI #
C130.81 Hz261.63 Hz523.25 Hz48 / 60 / 72
C# / Db138.59 Hz277.18 Hz554.37 Hz49 / 61 / 73
D146.83 Hz293.66 Hz587.33 Hz50 / 62 / 74
D# / Eb155.56 Hz311.13 Hz622.25 Hz51 / 63 / 75
E164.81 Hz329.63 Hz659.26 Hz52 / 64 / 76
F174.61 Hz349.23 Hz698.46 Hz53 / 65 / 77
F# / Gb185.00 Hz369.99 Hz739.99 Hz54 / 66 / 78
G196.00 Hz392.00 Hz783.99 Hz55 / 67 / 79
G# / Ab207.65 Hz415.30 Hz830.61 Hz56 / 68 / 80
A220.00 Hz440.00 Hz880.00 Hz57 / 69 / 81
A# / Bb233.08 Hz466.16 Hz932.33 Hz58 / 70 / 82
B246.94 Hz493.88 Hz987.77 Hz59 / 71 / 83
🎸 Common Tuning References by Instrument
Instrument Standard Tuning Lowest Note Semitone Range
Guitar (6-string)E2–A2–D3–G3–B3–E4E2 (82.41 Hz)~24 semitones
Bass Guitar (4-string)E1–A1–D2–G2E1 (41.20 Hz)~24 semitones
Piano (88 keys)A0 to C8A0 (27.50 Hz)88 semitones
ViolinG3–D4–A4–E5G3 (196.00 Hz)~37 semitones
CelloC2–G2–D3–A3C2 (65.41 Hz)~37 semitones
Human Voice (soprano)C4 to C6C4 (261.63 Hz)24 semitones
Human Voice (bass)E2 to E4E2 (82.41 Hz)24 semitones
TrumpetF#3 to D6F#3 (185.00 Hz)~33 semitones
📐 Frequency Ratio Per Semitone Count
Semitones Frequency Ratio Cents Interval Name
01.00000 ¢Unison
11.0595100 ¢Minor 2nd (Half Step)
21.1225200 ¢Major 2nd (Whole Step)
31.1892300 ¢Minor 3rd
41.2599400 ¢Major 3rd
51.3348500 ¢Perfect 4th
61.4142600 ¢Tritone (Augmented 4th)
71.4983700 ¢Perfect 5th
81.5874800 ¢Minor 6th
91.6818900 ¢Major 6th
101.78181000 ¢Minor 7th
111.88771100 ¢Major 7th
122.00001200 ¢Octave
244.00002400 ¢Two Octaves
💡 How Semitones Work: In equal temperament tuning, each octave is divided into 12 equal semitones. Each semitone raises the frequency by a factor of 2^(1/12) ≈ 1.05946. To find frequency: f2 = f1 × 2^(n/12), where n is the number of semitones.
🎯 Cents Explained: One semitone = 100 cents. Cents var you express micro-tonal differences. A pitch 25 cents sharp is exactly a quarter-semitone above the target note. The formula: cents = 1200 × log2(f2/f1). Most human ears can detect differences as small as 5–10 cents.

In western music, the semitone is the smallest interval that you find. Consider it as the space between two neighboring notes in the chromatic scale. On a piano it simply is the gap between two keys that sit directly one beside the other, for example from C to the black key right next to it.

And from that black key to D? Also a semitone.

What is a semitone and how do musical intervals work

An octave splits into twelve semitones according to the chromatic scale. Like this you have twelve small steps to form one whole octave. On a keyboard, if you count twelve keys one after the other, that gives your full cycle.

The frequency ratio between two notes that are one semitone apart match to the twelfth root of two.

Here something neat: a semitone always happens between a black key and its neighboring white key on the piano. Even so in each octave there are two places where semitone are between two white keys. They are between E and F, and between B and C. In the major scale, it follows this pattern: whole, whole, half, whole, whole, whole, half.

Two semitones create a whole tone, which musicians also call a major second. And what about a tritone? It covers six semitones (or three whole tones), if you like too consider that.

Funny thing, that interval has three different names depending on the context: augmented fourth, diminished fifth or tritone.

To properly describe intervals, one needs both their number and their quality. The qualities are perfect, major, minor, augmented and diminished. Unisons, fourths, fifths and octaves are perfect intervals.

Seconds, thirds, sixths and sevenths split into major and minor versions. If you lower a major interval by a semitone, it becomes minor. Lower a minor or perfect by a semitone, and you have diminished.

Add a semitone above perfect or major, and you form an augmented interval.

Equal tuning makes each semitone exactly 100 cents, so an octave holds 1200 cents. Each semitone matches a frequency ratio of two to the power one-twelfth. A note that is one semitone above 100 Hz will reach around 106 Hz.

Different parts of the world use different terms. In the United Kingdom one prefers “tone” and “semitone”, while in the United States one says “whole step” and “half step”. Here is the thing, those intervals are not limited to one instrument.

They count for piano, guitar, voice and almost everything that you can play. An interval is simply distance in pitch, nothing more mysterious than miles or centimeters. Lower a perfect fifth by a semitone, and you get a major third.

Add a semitone above a perfect fourth, and you created a minor sixth. Equaltuning spreads everything equally, but that balance can push some intervals, like the major third, a bit sharp at the edges.

Semitone Calculator: Convert Notes & Intervals Instantly

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