Chord Tone Calculator for Musicians

Chord Tone Calculator

Find the notes, interval formula, inversion bass, voicing span, MIDI numbers, and frequency range for common chords used in piano, guitar, arranging, and theory work.

🎵 Chord Presets

Preset use: Load a real musical chord shape, then change the root, quality, extension, inversion, notation, or concert pitch to match your part.

Chord Inputs
Choose the letter name used for the chord symbol.
Sets the third and fifth before extensions are added.
Adds sevenths, upper extensions, or altered tones.
Moves lower chord tones above the stack.
Middle C is C4 in this calculator.
Changes octave placement without changing chord spelling.
Used for note frequency estimates.
Controls enharmonic display such as F# or Gb.
Chord Symbol
Cmaj7
root position close voicing
Chord Tones
C E G B
unique pitch classes
Bass Note
C4
261.63 Hz
Voicing Span
11 st
C4 to B4

Calculation Breakdown

📊 Chord Spec Grid
1 3 5 7
Interval formula
60
Bass MIDI note
11 st
Semitone span
4 tones
Chord density
📐 Quality Formula Reference
QualityFormulaSemitonesTypical Use
Major1 3 50, 4, 7Stable tonic, bright triad, major key harmony
Minor1 b3 50, 3, 7Minor tonic, ii chord, vi chord, darker color
Diminished1 b3 b50, 3, 6Leading-tone function and symmetrical tension
Augmented1 3 #50, 4, 8Chromatic dominant color and raised fifth movement
Sus21 2 50, 2, 7Open pop, folk, guitar, and modal voicings
Sus41 4 50, 5, 7Suspension before resolving to a major third
🎼 Extension And Alteration Table
ExtensionAdded FormulaAdded SemitonesCommon Chord Sound
669Warm major or minor color without a seventh
7b710Dominant pull or minor seventh chord color
maj7711Major seventh color for jazz and cinematic harmony
9b7 910, 14Dominant or minor ninth color with wider upper tone
11b7 9 1110, 14, 17Suspended, modal, or extended dominant sound
13b7 9 11 1310, 14, 17, 21Large dominant color for horns, keys, and arranging
🔎 Interval Name Map
SemitoneChord NameSimple IntervalExample Above C
01Perfect unisonC
1b2 or b9Minor secondDb
22 or 9Major secondD
3b3 or #9Minor thirdEb
43Major thirdE
54 or 11Perfect fourthF
6b5 or #11TritoneGb or F#
75Perfect fifthG
8#5 or b13Augmented fifthAb or G#
96 or 13Major sixthA
10b7Minor seventhBb
117Major seventhB
Voicing Comparison Grid
Voicing StyleWhat ChangesBest ForRange Behavior
Close positionStack tones within one octave when possibleTheory spelling, compact piano, quick analysisNarrowest span
Drop 2Second-highest tone drops one octaveGuitar sets, section writing, cleaner inner voicesModerate span
Open spreadUpper tones move into wider octavesBallads, pads, lower-register chordsWide span
Keyboard stackUpper extensions are placed above the chord shellPiano voicings and synth compingBalanced span
Guitar friendlyMiddle voices are opened to reduce close clustersFretboard checking and rhythm guitar partsPlayable span
Spelling tip: The calculator displays enharmonic pitch classes by preference, but written parts may need key-aware spelling. For example, a true C# major triad is C#, E#, G#, even if a flat-friendly display might show F instead of E#.
Voicing tip: Chord tones identify the harmonic ingredients. The voicing controls register and bass placement, so two voicings can contain the same tones while sounding very different in a mix or ensemble.

Chord tones is the specific notes that make up a chord. Chord tones are the fundamental building blocks that is used to create chords. By selecting different chord tones when building a chord, you change the sound that the chord make.

For instance, using a minor third instead of a major third will make the chord sound minor instead of major. Other chord tones includes extensions to the chord, such as the seventh, the ninth, the eleventh, and the thirteenth note of the chord. Using these chord extensions will also change the sound of the chord due to the addition of these additional musical note to the chord.

Chord Tones, Inversions and Voicing

The root of the chord is the note that is use to determine the quality and name of the chord. The root is the foundation of the chord. The type of third and fifth that are use in that chord determines the quality of a chord.

By changing the third in the chord, the quality of the chord will change. In addition to selecting the root notes in a chord and the quality of the chord, using inversions for that chord can change chords. An inversion of a chord occur when the third or fifth note of that chord is move to the lowest note in the chord, also known as the bass note in the chord.

By moving the third or fifth of a chord to the bass of that chord, the lowest frequency that is heard from that chord will change. However, the chord that is create will remain the same. The calculator on this page allow users to select the inversion of a chord to hear how that may affect the chord.

Voicing refer to the arrangement of chord tones within a chord. Voicing can be used to determine the spacing between each chord tone in a chord. For instance, close position voicing select chord tones that is within one octave of each other.

Open position voicing move chord tones down an octave or more to create more space between each chord tone. Because voicing determines the spacing of chord tones, different voicing style make the same chord sound different. The calculator allows users to select different voicing styles for a chord to compare the sound of each voicing style.

The frequency of each note in a chord and the pitch of each note are important to consider for individual instrument. The way in which a chord is played on one instrument may sound different than another instrument due to the frequency of the chord notes on that instrument. For example, the same chord will sound more different on a piano than on a guitar.

The frequency display on this calculator will allow users to see the frequency of each chord tone in the chord. Additionally, the concert pitch of a chord may change depending on the instrument use. For instance, if an instrument changes from 440 Hz to 442 Hz, the frequency of each note in the chord will change.

The reference tables and the interval map is two tables that can aid in understanding the different elements of a chord. The reference tables allow users to see the extensions of each chord, such as the 13-note chord having the seventh, ninth, eleventh, and thirteenth notes add to the triad of the chord. By understanding how users add each extension to a chord, users will understand why the span of the chord increase with each extension.

The interval map allows for the translation of each distance between the chord tones in semitones to the name of that interval. Thus, the interval map allow users to translate the mathematics behind the chord to the musical names for each interval. Chord symbol can be played in different ways on different musical instruments.

For instance, a chord symbol may sound different on a piano than it does on a guitar. The calculator will show these different sound for the same chord symbol. Additionally, some chords has an enharmonic spelling to their chord symbols.

For example, the chord symbol for two flats is the same as the chord symbol for one sharp but with a different name. This notational preference will allow for the chord symbol to match the notations that a specific player for that chord. The goal in understanding chords is to understand the role of each component of a chord.

The calculator will help users to understand these component without having to use arithmetic to do so.

Chord Tone Calculator for Musicians

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