Dotted 8th Note Delay Calculator

Tempo-Synced Delay

Dotted 8th Note Delay Calculator

Match BPM to dotted eighth timing, compare it with a straight eighth, and shape rhythmic repeats for guitar, keys, and vocal throws.

Use quarter-note BPM for most songs. In 6/8 or 12/8, switch to dotted-quarter BPM when the beat is being counted in compound time. Core math: dotted 8th = quarter note x 0.75.

🎸 Preset Scenes

Delay Inputs

Enter the song tempo you want to sync to.
Use the count that matches how the band is feeling the pulse.
Used to calculate bar length and repeat density.
Keeps the bar math accurate for straight and compound meters.
Shows how many repeats fit into the selected phrase.
The dotted eighth is the classic rhythmic throw, but the others help with comparison.
Positive values nudge the echo later for a looser pocket.
Controls how many repeats survive after the first throw.
Helps the delay stay audible without clouding the dry part.
Offsets the left and right taps for a wider image.
Dotted 8th delay time
375.00
milliseconds
Straight 8th reference
250.00
milliseconds
Gap versus straight 8th
125.00
milliseconds
Repeats in phrase
10.67
cycles in the selected bars
Calculation Breakdown
Tempo BPM120.00 BPM
Tempo count modeQuarter-note BPM
Meter4/4
Quarter-note length500.00 ms
Delay divisionDotted 8th note
Delay multiplier0.750x
Raw delay time375.00 ms
Groove push0.00% (0.00 ms)
Final delay time375.00 ms
Straight 8th time250.00 ms
Difference125.00 ms
Bars measured8
Bar length2.00 sec
Section length16.00 sec
Repeats per section10.67
Wet mix18.00%
Feedback28.00%
Stereo spread12.00 ms
Left / Right taps369.00 / 381.00 ms
Approx feedback tail690.00 ms

📖 Reference Tables

Note Division Reference
Division Multiplier 120 BPM Timing Musical feel
Quarter note1.00x500.00 msBeat anchor
Dotted quarter1.50x750.00 msCompound pulse
Eighth note0.50x250.00 msTight bounce
Dotted 8th0.75x375.00 msClassic groove
Eighth triplet0.33x166.67 msRolling trio
Sixteenth0.25x125.00 msFast slap
Dotted sixteenth0.38x187.50 msShort shimmer
All values above assume quarter-note BPM unless you switch the tempo count mode.
BPM Quick Map
BPM Quarter Dotted 8th Straight 8th Gap
72833.33 ms625.00 ms416.67 ms208.33 ms
84714.29 ms535.71 ms357.14 ms178.57 ms
96625.00 ms468.75 ms312.50 ms156.25 ms
108555.56 ms416.67 ms277.78 ms138.89 ms
120500.00 ms375.00 ms250.00 ms125.00 ms
132454.55 ms340.91 ms227.27 ms113.64 ms
144416.67 ms312.50 ms208.33 ms104.17 ms
Meter Length Guide
Meter Beats / bar Bar length at 120 Dotted 8ths / bar
4/44.02.00 sec5.33
6/83.01.50 sec4.00
9/84.52.25 sec6.00
12/86.03.00 sec8.00
Mix Context Guide
Source Delay note Wet mix Feedback Spread
Clean electric guitarDotted 8th18-24%22-30%8-14 ms
Lead vocal throwQuarter or dotted 8th8-14%10-18%0-6 ms
Ambient synth pluckDotted 8th14-20%28-40%12-20 ms
Worship or post-rock leadDotted 8th20-28%26-36%10-18 ms

🔊 Comparison Grid

Clean Electric Arpeggio

Sharp note definition with a rhythmic dotted 8th bounce.

Delay noteDotted 8th
Wet mix18-24%
Feedback22-30%
Spread8-14 ms

Lead Vocal Throw

Keeps the lyric forward while the tail lands on the grid.

Delay noteQuarter or dotted 8th
Wet mix8-14%
Feedback10-18%
Spread0-6 ms

Ambient Synth Pluck

A wider repeat cloud works when the source is short and bright.

Delay noteDotted 8th
Wet mix14-20%
Feedback28-40%
Spread12-20 ms

Cinematic Lead Wash

Big melodic parts usually benefit from a wider stereo lane.

Delay noteDotted 8th
Wet mix20-28%
Feedback26-36%
Spread10-18 ms

💡 Tips

Tip 1Lower wet mix before changing note division. The groove stays clear and you can hear the timing difference more honestly.
Tip 2In 6/8 and 12/8, verify whether the song is counted as dotted-quarter BPM before trusting the final milliseconds.

Dotted Eighth Note Delay
A dotted eighth note delay use a timing value of three quarters of a quarter note. This type of delay can be used to create a rhythmic effect where the delay repeats falls between the beats of a song. Using a dotted eighth note delay create a sense of rhythmic tension because the delay repeats appear to be chasing the downbeat rather than emphasize it.

Many musicians uses dotted eighth note delay effects on guitar instruments, on keyboard, and on vocals. To properly use a dotted eighth note delay effect, the musician must understand the relationship between the timing of the delay and the tempo of the song. The tempo of the song is expressed in beats per minute.

How to Use a Dotted Eighth Note Delay

Songs with a 4/4 time signature use a quarter note as there primary pulse. Songs with a time signature of 6/8 or 12/8 use a dotted quarter note as their primary pulse. Because the primary pulse of a song can change with a change in time signature, a dotted eighth note delay will sound differently in a 4/4 time signature than it will in a 6/8 time signature.

Many producers makes a mistake with their delay settings because they do not understand that they must match the dotted eighth note delay effect with the meter of the song. The groove push setting allow a producer to fine-tune the delay of the song by a small percentage. This setting is used to make the dotted eighth note delay sound more or less tight.

The feedback setting and the mix level of the dotted eighth note delay effect will determine the sound of the dotted eighth note delay within the mix of the song. The feedback setting control how many times the note will repeat within the song before the effect stop. Using a high feedback setting will create long delay repeat, while using a low feedback setting will create short delay repeats.

The mix level control allow the producer to balance the dry signal (the original sound) and the wet signal (the delayed sound). Maintaining the proper balance between the dry and wet signals will leave the original note within the sound. For example, for a bright electric guitar effect, you will need to set the wet signal of the dotted eighth note delay effect to a lower level to maintain the attack of the guitar note.

Additionally, you can use the stereo spread to make the delay sound more wide. The stereo spread offset the left and right taps of the delay effect by a few milliseconds. Mathematical calculations allow you to program the delay to be a dotted eighth note.

For instance, if your song is playing at 96 beats per minute, your quarter note is 625 milliseconds long, so your dotted eighth note delay should be set to 470 milliseconds. This create a gap between the notes, providing the swing effect for dotted eighth note delays. A sixteenth note delay happen at a much faster rate than dotted eighth note delays and creates a different effect on the song.

The time signature impact how many times the delay will repeat within your musical phrase. In 4/4 time, there is enough room in a musical phrase for many instance of dotted eighth note delays. In 6/8 time, the bar is shorter, and there is less room in the musical phrase for dotted eighth note delays.

Count the number of times the delay will repeat within your musical phrase. For long musical phrase use a low feedback setting to ensure that the delayed notes dont become too loud. For short musical phrases use a high feedback control to add energy to the song.

There are a few common mistake people can make when using dotted eighth note delays. One of the most common is to ignore the source material. If you are using an instrument like a guitar, you will need a higher wet mix level than a vocal source.

A vocal require a lower wet mix control to ensure that the lyrics remains clear and audible to the listener. Another mistake is to make the stereo spread too wide for a mono source. The stereo spread should not smear a mono source but enhance it’s sound.

Finally, always lower the mix level prior to changing the division of the delay. Lowering the mix level prior to adjusting the delay division create a smoother transition between settings.

Dotted 8th Note Delay Calculator

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